講者名稱: Sheldon Lu
講者簡歷:
Sheldon Hsiao-peng Lu has been
Professor of Comparative Literature at the University of California, Davis
since 2002. He is also affiliated with Film Studies (founding co-director),
East Asian Studies, Cultural Studies, Critical Theory, and Performance Studies
at the University of California at Davis. He received his Ph. D. in Comparative
Literature from Indiana University at Bloomington, and previously taught at the
University of Pittsburgh for ten years. He was a Fulbright Scholar in Kiev,
Ukraine in 2004-2005. He is the author of Chinese Modernity and Global
Biopolitics: Studies in Literature and Visual Culture (Hawaii, 2007); Culture,
Mirror Image, Poetics (in Chinese, Wenhua, jingxiang, shixue, 2002); China,
Transnational Visuality, Global Postmodernity (Stanford, 2001); From
Historicity to Fictionality: The Chinese Poetics of Narrative (Stanford, 1994;
Korean edition, 2001). He is editor of Transnational Chinese Cinemas: Identity,
Nationhood, Gender (Hawaii, 1997); co-editor of Chinese-Language Film:
Historiography, Poetics, Politics (Hawaii, 2005, Choice’s Award of Outstanding
Academic Title of 2005); co-editor of Chinese Ecocinema in the Age of
Environmental Challenge (Hong Kong University Press, 2009). He has published
numerous critical essays in such journals as New Literary History, Modern
Language Quarterly (MLQ), boundary 2, Semiotica, Cinema Journal, Jump Cut, Post
Script, Asian Cinema, positions, CLEAR (Chinese Literature: Essays, Articles,
Reviews), and Journal of Modern Literature in Chinese.
活動摘要:
本次演講旨在梳理當前海外(歐美)的華語電影整體研究中的幾個主要模式:“民族電影“,“華語電影”,“跨國電影”、“華語語系電影”。演講將分析和比較這幾種模式∕話語的起源、形成、歷史、優劣、及內涵。同時演講人要探討在全球化時代華語電影研究中所涉及的中華性、族群、民族國家、散居等概念。
Reading List
Berry, Chris, and Mary Farquhar. “From
National Cinemas to Cinema and the National: Rethinking the National in
Transnational Chinese Cinemas.” Journal of Modern Literature in Chinese 4.2
(2001): 109-122.
Berry, and Farquhar. China on Screen:
Cinema and Nation. New York: Columbia University Press, 2006. Especially
“Introduction: Cinema and the National,” pp, 1-16; Chapter 8, “The National in
the Transnational,” pp. 195-222.
Berry, Chris, and Laikwan Pang.
“Introduction, or, What’s in an ‘s’?” Journal of Chinese Cinemas vol. 2 no. 1
(2008): 3-8.
Browne, Nick. “Introduction.” New
Chinese Cinemas: Forms, Identities, Politics. Ed. Nick Browne, Paul G.
Pickowicz, Vivian Sobchack, and Esther Yau. Cambridge, UK; New York, USA:
Cambridge University Press, 1994. 1-11.
Chiu, Kuei-fen, “Empire of the Chinese
Sign: The Question of Chinese Diasporic Imagination in Transnational Literary
Production.”
Journal of Asian Studies vol. 67, No.
2 (May 2008): 593-620. Journal of Chinese Cinemas. Vol. 2, no. 1 (2008). A special
issue on “transnational Chinese cinemas.” Guest ed. Chris Berry and Laikwan
Pang.
Lim, Song Hwee. “Introduction,”
Celluloid Comrades: Representations of Male Homosexuality in Contemporary
Chinese Cinemas. Honolulu: University of Hawaii Press, 2006. 1-18.
-----. Editorial: “A New Beginning:
Possible Directions in Chinese Cinemas Studies.” Journal of Chinese Cinemas
vol. 1 no. 1 (2007): 3-8.
Lu, Sheldon H. “Historical
Introduction: Chinese Cinemas (1896-1996) and Transnational Film Studies.”
Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu:
University of Hawaii Press, 1997. 1-31.
-----. “Dialect and Modernity in 21st
Century Sinophone Cinema.” Jump Cut 49 (Spring 2007). Online journal.
-----. Review of Visuality and
Identity: Sinophone Articulations Across the Pacific (Berkeley: University of
California Press, 2007) by Shu-mei Shih. MCLC Resource Center Publication
(January 2008). Website: htt://mclc.osu.edu/re/pubs/reviews/lu.htm.
Lu, Sheldon H., and Emilie Yueh-yu
Yeh. “Introduction: Centennial Reflections on Chinese-Language Cinemas.”
Chinese Cinema, ed. Lu and Yeh, a special double issue, Post Script vol. 20
nos. 2 & 3 (winter/spring & summer 2001): 3-8.
Lu and Yeh. “Introduction: Mapping the
Field of Chinese-Language Cinema,” Chinese-Language Film: Historiography,
Poetics, Politics. Ed. Sheldon H. Lu and Emilie Yueh-yu Yeh. Honolulu:
University of Hawaii Press, 2005. 1-24.
Marchetti, Gina. “Introduction: Plural
and Transnational.” Jump Cut 42 (1998): 68-72. (Introduction to a special
section on Chinese and Chinese Diaspora Cinema of Jump Cut.)
Shih, Shu-mei. Visuality and Identity:
Sinophone Articulations Across the Pacific. Berkeley: University of California
Press, 2007.
Yeh, Yue-yu. “Defining ‘Chinese.’”
Jump Cut 42 (1998): 73-76. Review of New Chinese Cinemas: Forms, Identities,
Politics. Ed. Nick Browne, Paul G. Pickowicz, Vivian Sobchack, and Esther Yau.
Cambridge and New York: Cambridge University Press, 1994.
Zhang, Yingjin. Chinese National
Cinema. New York and London: Routledge, 2004. Especially “Introduction:
National Cinema and China,” pp. 1-12.
-----. “Comparative Film Studies,
Transnational Film Studies: Interdisciplinarity, Crossmediality, and
Transcultural Visuality in Chinese Cinema.” Journal of Chinese Cinemas vol. 1
no. 1 (2007): 27-40.
活動時間: 星期三, 十一月 11, 2009
- 10:00 to 12:00
活動地點: 綜合教學大樓9樓904室
主辦單位 | 國立中興大學人文與社會科學研究中心
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