比較的文學史：理論與實踐

講者名稱: Ying-jin Zhang

講者簡歷: 

Ying-jin Zhang(張英進)，美國聖地牙哥加州大學文學系比較文學與文化研究正教授，上海交通大學人文學院訪問講席教授。英文書籍包括《中國比較文學論文集》、《中國電影百科全書》、《民國時期的上海電影與城市文化》、《中國電影史》、《當代中國的另類電影文化》、《全球化中國的電影，空間與多地性》、《華語電影明星研究》、《世界華語電影指南》等十部。中文書籍包括《審視中國》、《電影的世紀末懷舊》、《中國現代文學與電影中的城市》、《影像中國》、《多元中國》等九部。

活動摘要: 

The theory and practice of comparative literary history as theorized by Mario J. Valdés and Linda Hutcheon and implemented in two literary history projects on Central-Eastern Europe and Latin America provides a timely incentive for Chinese literary scholars to move research forward beyond the current divergence between a persistent lack of interest in literary history in English scholarship and an inundation of literary histories in Chinese. Not surprisingly, the recent call in China for defamilarization and micro-histories demonstrates the desire to break away from the orthodox model of comprehensive historiography, and a comparative examination of sample literary histories in Chinese may yield insights to be gained from, and further developed on, a reconceptualization of literary history in terms of rupture, diversity and heterogeneity, rather than continuity, singularity and homogeneity.

Reading list:

Emory Elliott (ed.), Columbia Literature History of the United States (New York: Columbia University Press, 1988),序言. Denis Hollier (ed.), A New History of French Literature (Cambridge, Mass.: Harvard University Press, 1989). 序言. Linda Hutcheon, Djelal Kadir, and Mario J. Valdés, “Collaborative Historiography: A Comparative Literary History of Latin America” (American Council of Learned Societies Occasional Paper, No. 35, 1996). Marcel Cornis-Pope and John Neubauer (eds), History of the Literary Cultures of East-Central Europe: Junctures and Disjunctures in the 19th and 20th Centuries (Amsterdam: John Benjamins, 2004), vol. 1. 序言.

活動時間: 星期三, 三月 30, 2011 - 13:00 to 16:00

活動地點: 國立中興大學綜合教學大樓9樓T904會議室

主辦單位 ｜ 國立中興大學人文與社會科學研究中心